{"id":23213,"date":"2026-06-11T22:53:39","date_gmt":"2026-06-11T22:53:39","guid":{"rendered":"https:\/\/globalnewstoday.uk\/index.php\/2026\/06\/11\/happy-disclosure-day-to-all-who-celebrate-and-other-movies-worth-seeing-racket-mn\/"},"modified":"2026-06-11T22:53:39","modified_gmt":"2026-06-11T22:53:39","slug":"happy-disclosure-day-to-all-who-celebrate-and-other-movies-worth-seeing-racket-mn","status":"publish","type":"post","link":"https:\/\/globalnewstoday.uk\/index.php\/2026\/06\/11\/happy-disclosure-day-to-all-who-celebrate-and-other-movies-worth-seeing-racket-mn\/","title":{"rendered":"Happy Disclosure Day to All Who Celebrate (and Other Movies Worth Seeing) – Racket MN"},"content":{"rendered":"

Pretty much all the movies you can catch in the Twin Cities this week.
5:42 PM CDT on June 11, 2026<\/span>
\u2018Disclosure Day\u2019
In this week's listings, a review of Steven Spielberg's soon-to-be blockbuster Disclosure Day<\/em>, as well as belated blurbs on Backrooms<\/em> and Carolina Caroline<\/em>. Plus a whole lotta great rep screenings, including a restoration of Gloria Swanson's Queen Kelly,<\/em> the fantastic teen-punk flick We Are the Best!<\/em>, and a mid-morning screening of the yazuka film A Colt Is My Passport<\/em>.
Showgirls<\/em><\/strong> (1995)<\/strong>
Alamo Drafthouse<\/em>
Elizabeth Berkley puts the \u201choe\u201d in Verhoeven. $20. 6:45 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Sacred Heart: His Reign Has No End <\/em>(2026)<\/strong>
AMC Rosedale 14\/AMC Southdale 16\/Marcus West End
<\/em>Jesus. Also Sunday. Showtimes and more info <\/em>here<\/em><\/a>.<\/em>
We Are the Best!<\/em> (2013)<\/strong>
Emagine Willow Creek<\/em>
Incredibly fun Lukas Moodysson film about three Swedish girls who form a punk band in the \u201980s. $9. 7:30 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Chungking Express<\/em> (1994)<\/strong>
Grandview 1&2<\/em>
One of the coolest movies of the \u201990s. $14.14. 9:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
My Neighbor Totoro<\/em> (1988)<\/strong>
Loring Park<\/em>
It\u2019s summer\u2014time for bike-in movies! Free. 9 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Pitch Perfect<\/em> (2012)<\/strong>
North Loop Green<\/em>
I have never seen any of these movies. Anna Kendrick is just like some kind of weird rumor to me. Free. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
The Watermelon Woman<\/em> (1996)<\/strong>
Parkway Theater<\/em>
Cheryl Dunye\u2019s relaxed lesbian romantic comedy. $9\/$12. Burlesque from Queenie von Curves at 7:30 p.m. Movie at 8 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Close Encounters of the Third Kind <\/em>(1977)<\/strong>
Riverview Theater<\/em>
Another man being mean to Teri Garr. $7. 7:30 p.m. Friday-Saturday 9:20 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Daughters of the Dust<\/em> (1991)<\/strong>
Walker Art Center<\/em>
Julie Dash\u2019s beautiful film about the Gullah people of coastal South Carolina. $12\/$15. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Dressed to Kill<\/em> (1980)<\/strong>
Alamo Drafthouse<\/em>
Well, somebody<\/em> sure likes his Hitchcock. $13.99. 9:45 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Soul<\/em><\/strong> (2020)<\/strong>
Bethune Community School<\/em>
Tina Fey occupies the body of a Black man. Free. 9 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Zootopia 2<\/em> (2025)<\/strong>
East Side Sculpture Park<\/em>
Snakes are\u2026. good? Presented by TriLingua Cinema and Hmong American Partnership. Free. 9 p.m. More info <\/em>here<\/em><\/a>.\u00a0<\/em>
The Holy Mountain<\/em> (1973)<\/strong>
Heights Theater<\/em>
Jodorowsky\u2019s midnight movie classic. $16. 9:45 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Cisco Pike<\/em> (1971)<\/strong>
Trylon<\/em>
Kris Kristofferson gets blackmailed into dealing weed by Gene Hackman. $8. Friday-Saturday 7 & 9 p.m. Sunday 3 & 5 p.m. More info <\/em>here<\/em><\/a>.\u00a0<\/em>
Boogie Nights<\/em> (1997)<\/strong>
Alamo Drafthouse<\/em>
Ah, porn was so simple once. $10.99. 9:30 p.m. Sunday 2:45 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Le Bonheur<\/em> (1965)<\/strong>
Alamo Drafthouse<\/em>
Agnes Varda\u2019s tale of infidelity is beautiful to look at and emotionally painful to watch. $10.99. 3:20 p.m. More info <\/em>here<\/em><\/a>.<\/em>
The Graduate<\/em> (1967)<\/strong>
Alamo Drafthouse<\/em>
Floating in your pool all day and banging your girlfriend\u2019s mom all night is just so spiritually unfulfilling, you know? $10.99. 12:45 p.m. More info <\/em>here<\/em><\/a>.<\/em>
BTS World Tour\u2014Arirang (2026)<\/em><\/strong>
AMC Southdale 16\/Marcus West End<\/em>
The K-pop stars are back. $30. 3 & 6:45 p.m. More info <\/em>here<\/em><\/a> and <\/em>here<\/em><\/a>.
Dinkytown: A Tale of a Legendary Village<\/em> (2026)<\/strong>
Cedar Cultural Center<\/em>
A new doc about a neighborhood that has changed a lot. Free. 4 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Moonlight<\/em> (2016)<\/strong>
East Side Sculpture Park<\/em>
Watch it in the moonlight. Presented by TriLingua Cinema. Free. 9 p.m. More info <\/em>here<\/em><\/a>.<\/em>
The Wizard of Oz<\/em> (1939)<\/strong>
Heights Theater<\/em>
Never heard of it. $16. 11 a.m. Monday 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>\u00a0
Mausoleum<\/em> (1983)<\/strong>
Heights Theater<\/em>
Demonic possession, \u201980s style. Presented by Vinegar Syndrome. $13. 9:45 p.m. More info <\/em>here<\/em><\/a>.<\/em>
A Colt Is My Passport<\/em> (1967)<\/strong>
Howard Conn Theater<\/em>
A \u201clean yakuza thriller steeped in spaghetti western style,\u201d presented by Cinema Ecclesia. $12.50. 10 a.m. More info <\/em>here<\/em><\/a>.<\/em>
Close Encounters of the Third Kind<\/em> (1997)<\/strong>
Main Cinema<\/em>
*7 y.o. me, nodding sagely*<\/em> Ah yes, it\u2019s the great French New Wave director Francois Truffaut. Free for Film Society members. 11 a.m. More info <\/em>here<\/em><\/a>.<\/em>
Persona<\/em> (1966)<\/strong>
Alamo Drafthouse<\/em>
Bibi Andersson is the most underrated Bergman actress. $10.99. 12 p.m. More info <\/em>here<\/em><\/a>.<\/em>
CrazySexyWeird: A Night of Kinky, Erotic, and Bizarre Short Films<\/strong>
Bryant Lake Bowl<\/em>
Curated by the heroes at Smitten Kitten<\/a>. Bring the kids! (Under no circumstances should you bring the kids.) $15. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Evil Dead 2<\/em><\/strong> (1987)<\/strong>
Emagine Willow Creek<\/em>
Such a game changer. Also Wednesday. $11. 3:45 & 6:15 p.m More info <\/em>here<\/em><\/a>.<\/em>
UFC Freedom 250<\/strong>
Emagine Willow Creek<\/em>
What a country. $27. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Boogie Nights<\/em><\/strong> (1997)<\/strong>
Grandview 1&2<\/em>
If you\u2019d rather watch it in St. Paul. Also Thursday. $14.14. 9:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Queen Kelly<\/em> (1929)<\/strong>
Heights Theater<\/em>
A new reconstruction of the unfinished Erich von Stroheim silent starring Gloria Swanson. Presented by Archives on Screen, Twin Cities. $13. 7 p.m. More info <\/em>here<\/em><\/a>.\u00a0<\/em>
Elysium<\/em> (2013)<\/strong>
Lagoon Cinema<\/em>
Heads up, new Wagner Moura fans. $11. 2 p.m. Wednesday 4 & 7:20 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Charlie the Wonderdog<\/em> (2026)<\/strong>
Marcus West End<\/em>
Owen Wilson is a dog with superpowers. The dog's voice, anyway. $3. Sunday & Tuesday 11 a.m. Monday, Wednesday, & Thursday 11:30 a.m. More info <\/em>here<\/em><\/a>.<\/em>
Jack Johnson: Surfilmusic<\/em> (2026)<\/strong>
Marcus West End<\/em>
Always thought his White Stripes cover was cute. $13. 4:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Drop Dead Gorgeous<\/em> (1999)<\/strong>
Roxxy\u2019s Cabaret<\/em>
A Minnesota classic. Free. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Hot Fuzz<\/em> (2007)<\/strong>
Trylon<\/em>
What happens to Timothy Dalton made me laugh as loud as anything ever has. $8. 7 p.m. Monday-Tuesday 7 & 9:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
KPop Demon Hunters<\/em> (2025)<\/strong>
Alamo Drafthouse<\/em>
If I owned a movie theater, I\u2019d just show this every afternoon this summer till the first day of school. Through Thursday. $7. 4 p.m. More info <\/em>here<\/em><\/a>.<\/em>
AMC Screen Unseen<\/strong>
AMC Rosedale 14\/AMC Southdale 16<\/em>
A new secret movie. $7. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Crunchyroll Anime Nights Sneak Peek<\/strong>
AMC Rosedale 14\/AMC Southdale 16<\/em>
New anime! $13.99. 7:30 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Demons<\/em> (1985)<\/strong>
Emagine Willow Creek<\/em>
Trapped in an Italian movie theater with demons! $9. 7:30 p.m. More info <\/em>here<\/em><\/a>.<\/em>
WTF: Watch Terrible Films Club<\/strong>
56 Brewing<\/em>
I don\u2019t know what they\u2019ll be showing, but I know it\u2019ll be terrible. Free. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
The Gardener <\/em>(2026)<\/strong>
Riverview Theater<\/em>
Yes, but is he constant? $20. 7:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Fade to Black <\/em>(1980)<\/strong>
Alamo Drafthouse<\/em>
Movies turn a nerd into a killer. Not again! $10.99. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Luca<\/em> (2021)<\/strong>
Brackett Field Park<\/em>
He lives on the second floor. Free. 9 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Gabby\u2019s Dollhouse<\/em> (2025)<\/strong>
Riverview Theater<\/em>
It\u2019s cheap kid\u2019s movie season! $2. 9:45 a.m. More info <\/em>here<\/em><\/a>.<\/em>
The Devil Queen<\/em> (1974)<\/strong>
Alamo Drafthouse<\/em>
A queer criminal mastermind dominates Rio\u2019s underground. $10.99. 7:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Greg Allman: The Music of My Soul<\/em> (2026)<\/strong>
AMC Rosedale 14\/AMC Southdale 16\/Heights Theater\/Marcus West End<\/em>
Brand-new doc about Cher\u2019s ex-husband. AMC: <\/strong>7 p.m. $15. More info <\/em>here<\/em><\/a>. <\/em>Heights: <\/strong>$13. 7 p.m. More info <\/em>here<\/em><\/a>. <\/em>Marcus: <\/strong>$13. 7:20 p.m. More info <\/em>here<\/em><\/a>.<\/em><\/p>\n

Asco: Without Permission<\/em> (2025)<\/strong>
Main Cinema<\/em>
A doc about the revolutionary \u201970s Chicano art group. $11. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
The Doctrine<\/em> (2026)<\/strong>
Riverview Theater<\/em>
Indigenous representatives confront the Vatican. $10. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Dragon Ball: The Magic Begins <\/em>(1991)<\/strong>
Trylon<\/em>
An unauthorized live-action adaptation of the manga. Sold out. 7 p.m. More info <\/em>here<\/em><\/a>.<\/em>
But I\u2019m a Cheerleader<\/em> (2000)<\/strong>
Alamo Drafthouse\u00a0<\/em>
Sure is Pride month. $20. 7:15 p.m. More info <\/em>here<\/em><\/a>.<\/em>
GOAT<\/em> (2026)<\/strong>
Creekview Park<\/em>
A small goat aspires to professional sports. Free. 9:05 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Breaking Glass<\/em> (1980)<\/strong>
Emagine Willow Creek<\/em>
The rise of a fictional female British punk rocker. $9. 7:30 p.m. More info <\/em>here<\/em><\/a>.<\/em>
The Lost Boys<\/em><\/strong> (1987)<\/strong>
Riverview Theater<\/em>
Get yer sexy shirtless vampire saxophone here. $7. 9 p.m. More info <\/em>here<\/em><\/a>.<\/em>
Follow the links for showtimes.<\/strong>\u00a0
Call Me By Your Name<\/em> (2017)<\/strong><\/a>
Richard Butler, fantastico!
Disclosure Day<\/em><\/strong><\/a>
In this movie we believe aliens exist, empathy is strength, TV brings people together, truth wins out in the end, some kind of vague god-related thing\u2014I\u2019m sorry, but what are we doing here? Spielbergologists will no doubt thematically connect this latest, closest encounter with the extraterrestrial to his past work in ways that are meaningful to them, but for this skeptical admirer it was two-plus hours of drab auteurist tics livened occasionally by technical feats no other living (or maybe dead) director could execute. Plotwise, former cybersecurity wiz Josh O\u2019Connor has the proof of a government\/corporate coverup, and he\u2019s ready to tell the world. He\u2019s somehow linked with Emily Blunt, a weather gal for a Kansas City TV station who\u2019s gifted with mystical abilities by ETs. Both leads are swell, even if Blunt\u2019s attempts at na\u00efvet\u00e9 aren\u2019t wholly convincing and O\u2019Connor can\u2019t always summon enough shades of earnest to avoid monotony, But Colin Firth and Coleman Domingo, as rival spymasters of sorts, find no pleasure in their roles, and Eve Hewson, as O\u2019Connor\u2019s girlfriend, a former novitiate, dispenses religious doubts with a sense of obligation that shortchanges both spirituality and science\u2014and hell, fantasy as well. And then there\u2019s the finale. Ultimately, your view of Disclosure Day<\/em> may come down to whether you find Spielberg\u2019s nostalgic faith in the transformative power of mass spectacle touching or deluded\u2014or, let\u2019s face it, self-aggrandizing. B-<\/strong>
The Furious<\/em><\/strong><\/a>
Hong Kong action flick gets wide U.S. release.
Jinsei<\/em><\/strong><\/a>
Anime chronicles the long life of a J-pop idol.\u00a0
Main Vaapas Aaunga<\/em><\/strong><\/a>
A new Indian historical drama.\u00a0
Ponyo<\/em> (2008)<\/strong><\/a>
I\u2019ll say it again\u2014a golden age of seeing Ghibli flicks in theaters.
Stop! That! Train!<\/em><\/strong><\/a>
Drag queens must stop a disaster.
Follow the links for showtimes.<\/strong><\/em><\/a>
The Amazing Digital Circus: The Last Act<\/a><\/em><\/strong>
Backrooms<\/em><\/strong><\/a>
More film-studenty than anyone impressed at director Kane Parsons\u2019s tender age of 20 wants to let on, this unexpected budget horror hit is ambiguous enough for us all to project our own sense of entrapment on its unrelentingly yellow liminal space. Postmodern capital, the male psyche, miscellaneous trauma, the internet\u2014whatever\u2019s recursively hemming you in, we all feel lost within some labyrinth right now, and much credit to Parsons for tapping into that timely sensibility. But movies, pesky damn things, will<\/em> have characters, and stories, and dialogue, and, well\u2026 Chiwetel Ejiofor (as an extremely divorced furniture store owner) and Renate Reinsve (as a therapist I personally would not recommend) do what they can with some leaden dialogue by Will Soodik, who does not have youth and inexperience as an excuse. Doesn\u2019t help that Parsons ratchets up the drama whenever a bit of the ol\u2019 flattened affect would accentuate the eerieness. Backrooms<\/em> is an A minus haunted house padded out into a B minus movie, so let\u2019s just say\u2026 B<\/strong>
The Breadwinner<\/em><\/strong><\/a>
Carolina Caroline<\/em><\/strong><\/a>
I\u2019m a single-issue voter, and that issue is: Hot people should be allowed to rob banks. Don\u2019t the cops have anything better to do than hassle sexy criminals? But no, nigh on 60 years after Hollywood ditched the Hays Code, criminals still typically get their comeuppance in the final reel. It\u2019s baked into the genre now. So when restless small-town girl (Samara Weaving) hits the road with shady drifter (Kyle Gallner) in the latest from buzzy director Adam Carter Rehmeier, you know a happy ending ain\u2019t in the cards. As with any hustler movie, Carolina Caroline<\/em> is best when focusing on the details of the trade\u2014I almost believe I could scam a cashier out of a $20 after watching this; in addition I admire how its finale ducks cruel fatalism and dull moralism both. Weaving\u2019s solid career in horror and crime flicks does make me wonder if she harbors \u201cserious\u201d film aspirations. Not saying she has to, but I am curious. B<\/strong>
The Devil Wears Prada 2<\/em><\/strong><\/a>
Everyone Is Lying to You For Money<\/em><\/strong><\/a>
I Love Boosters<\/em><\/strong><\/a>
Every time I see a movie with Keke Palmer or LaKeith Stanfield in it, I think about how much of our time directors waste by making movies without Keke Palmer or LaKeith Stanfield in them. In Boots Riley\u2019s Seussian celebration of art, communism, and Oakland, Palmer\u2019s Corvette is part of a crew of high-end shoplifters, along with Naomi Ackie\u2019s Sade and Taylour Paige\u2019s Mariah, who draw the ire of girlboss designer Christy Smith (Demi Moore). Aided by Poppy Liu as a Chinese factory worker, Eiza Gonz\u00e1lez as a dirtbag leftist, and a device powered by dialectical materialism, they struggle to forge a global, multi-racial, working-class alliance. The film\u2019s design team, led by Everything Everywhere All at Once<\/em> costumer\/Tierra Whack collaborator Shirley Kuratais, is playing a game no one else even knows the rules of, and the whole shebang is funny as hell. Of course, if you slow down and try to puzzle it all out\u2026 wait, why are you doing that? If I have a better time at the movies this year, I\u2019ll be a very lucky man indeed. As for Stanfield\u2014I\u2019m not gonna give it away, but he\u2019s in this. Damn is he in this.<\/em>\u00a0A<\/strong>
Masters of the Universe<\/em><\/strong><\/a>
Michael<\/em><\/strong><\/a>
This is the story of a sweetly eccentric young fellow who merely wants to collect exotic animals, visit children in hospitals, and share his incredible talents with the world. With the help of agent (and, incidentally, the film\u2019s executive producer) John Branca (Miles Teller), our hero wriggles free of his abusive, domineering father (Colman Domingo) and embarks on his first solo tour in 1988, finally his own man\u2014presumably it was all smooth sailing from there. A glitzy extended ad for the disgraced superstar\u2019s estate, Michael<\/em> follows in the footsteps of the modern music biopic not only as a form of brand management, but as a means of score-settling\u2014from NWA to Elton John, every star wants to be\u00a0a victim nowadays. Michael<\/em> has a made-to-order villain in Jackson paterfamilias Joseph, but with his grotesque prosthetics and Nixonian hunched shoulders, Domingo is actually more cartoonish than Mike Myers is in his brief borscht-belt turn as CBS head Walter Yetnikoff. The lesson of Michael Jackson\u2019s life is that the further you retreat into escapist fantasy the more inescapably your neuroses surface, and that plays out with his fandom: The more irreparably Jackson\u2019s reputation is tarnished, the more his worshippers demand a portrait of a saint\u2019s life. And so they get as lousy a movie as they deserve. Shout out to Janet Jackson, who refused to participate and therefore simply doesn\u2019t exist in this Michaelverse. C<\/strong>
Mortal Kombat II<\/em><\/strong><\/a>
Obsession<\/em><\/strong><\/a>
I\u2019ll say this for the \u201cmust see\u201d horror flick of the summer\u2014you should probably see it. Which is more than I say about most of the lukewarm bloodbaths (some of them not even Oz Perkins\u2019s fault) that are regularly touted as the best thing to happen to the screen since the chainsaw. Michael Johnston\u2019s Bear is so hapless he can\u2019t acknowledge his crush on pal\/co-worker Nikki (Inde Navarrette) even when she asks him about it point blank. So, like so many doomed losers before him, he makes a magical wish for her love, an overturning of the natural order that goes wrong is ways both predictable and un-. Like any effective horror movie, there are all sorts of psychosexual subtexts you can tease out of this scenario\u2014the (male) anxiety that true love is smothering, the (again male) desire to efface female personality\u2014but though YouTube-weaned auteur Curry Barker has a genre-adept\u2019s knack for pacing and execution, Obsession<\/em> doesn\u2019t have much conceptual play. But it also doesn\u2019t give us the easy \u201cslay girl\u201d catharsis of, say, Companion<\/em>, and what truly sets it apart is Navarrette\u2019s committed performance of a woman trapped in a man\u2019s fantasy. B+<\/strong>
Power Ballad<\/em><\/strong><\/a>
Pressure<\/em><\/strong><\/a>
Project Hail Mary<\/em><\/strong><\/a>
Anyone who has a heart will love this adorably techno-optimistic film about Ryan Gosling buddying up with an intelligent alien who looks like a rock as they save the galaxy together. I guess so, anyway\u2014I\u2019m extrapolating from the fact that even a soulless monster like me thought it was pretty cute. Interstellar parasites are gobbling up the stars, including our sun, and as will happen when the Earth is in danger, only a middle school science teacher can save the day. Ryland Grace (which sounds like a name Gosling would give if he wanted to check into a hotel in secret) is recruited by a grim German bureaucrat (the great Sandra H\u00fcller, who deserves all the Hollywood blockbuster cash that comes her way) to research these solar gluttons. His insights prove so invaluable he\u2019s sent on a suicide mission to the only star that\u2019s proven impervious to the baddies to learn how to counteract them. There he meets an alien scientist on the same quest for his own world, who he dubs Rocky, and both species work together to etc. etc. as their unique friendship and so on and so forths. Drew Goddard\u2019s script, adapted from the much-loved Andy Weir novel, has the same plucky scientific spirit as Goddard\u2019s script of Weir\u2019s The Martian<\/em>, and Gosling remains likeable as ever, though I do wish he\u2019d find some new ways to be likeable. The pleased laughter all around me at the screening was so delightful I felt left out a little. Maybe someday when the wizard grants me a heart I\u2019ll give this another go. B<\/strong>
Scary Movie<\/em><\/strong><\/a>
The Sheep Detectives<\/em><\/strong><\/a>
Star Wars: The Mandalorian & Grogu<\/em><\/strong><\/a>
Super Mario Galaxy<\/em><\/strong><\/a>
Tuner<\/em><\/strong><\/a>
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Pretty much all the movies you can catch in the Twin Cities this week. 5:42 PM CDT on June 11, 2026\u2018Disclosure Day\u2019In this week's listings, a review of Steven Spielberg's soon-to-be blockbuster Disclosure Day, as well as belated blurbs on Backrooms and Carolina Caroline. Plus a whole lotta great rep screenings, including a restoration of […]<\/p>\n","protected":false},"author":1,"featured_media":23214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-23213","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment"],"_links":{"self":[{"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/posts\/23213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/comments?post=23213"}],"version-history":[{"count":0,"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/posts\/23213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/media\/23214"}],"wp:attachment":[{"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/media?parent=23213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/categories?post=23213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globalnewstoday.uk\/index.php\/wp-json\/wp\/v2\/tags?post=23213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}