{"id":16937,"date":"2026-05-16T23:45:58","date_gmt":"2026-05-16T23:45:58","guid":{"rendered":"https:\/\/globalnewstoday.uk\/index.php\/2026\/05\/16\/only-in-song-and-laughter-darius-wallace-and-jasnam-daya-singhs-settings-of-langston-hughes-for-siletz-bay-music-festival-oregon-artswatch\/"},"modified":"2026-05-16T23:45:58","modified_gmt":"2026-05-16T23:45:58","slug":"only-in-song-and-laughter-darius-wallace-and-jasnam-daya-singhs-settings-of-langston-hughes-for-siletz-bay-music-festival-oregon-artswatch","status":"publish","type":"post","link":"https:\/\/globalnewstoday.uk\/index.php\/2026\/05\/16\/only-in-song-and-laughter-darius-wallace-and-jasnam-daya-singhs-settings-of-langston-hughes-for-siletz-bay-music-festival-oregon-artswatch\/","title":{"rendered":"Only in song and laughter: Darius Wallace and Jasnam Daya Singh\u2019s settings of Langston Hughes for Siletz Bay Music Festival – Oregon ArtsWatch"},"content":{"rendered":"

The last time Darius (DUH-ree-us) Wallace <\/a>and Jasnam (like VietNAM with accent on the second syllable) Daya Singh<\/a> performed a Langston Hughes poem was in a 2022 Portland Chamber Orchestra<\/a> show. My Words Are My Sword<\/em> was a rousing program of spoken-word artist Wallace passionately reciting poems and prose of Black thinkers and artists as he strode up and down the aisles of North Portland\u2019s St. Andrew\u2019s Catholic Church. The words were complemented by Daya Singh\u2019s multi-cultural music. In 2009 Daya Singh won a Grammy nomination in Latin Jazz for Live at Caramoor<\/em><\/a>, a recording with Brazilian pianist Jovino Santos Neto at the jazz festival in upstate New York. 
At the time of My Words Are My Sword,<\/em> Daya Singh was the composer-in-residence for the recently defunct PCO led by the beloved Yaacov \u201cYaki\u201d Bergman, who died in 2023<\/a>. Bergman also headed up the summertime Siletz Bay Music Festival<\/a> on the Central Oregon Coast, which will host Wallace\u2019s and Daya Singh\u2019s newest collaboration, Hold Fast to Dreams: The Poetry of Langston Hughes. <\/em>The festival recently hired a new executive director, Daniel Pack, a cellist and former arts administrator.
Over the last four years, the two artists have stayed friends and creative collaborators, though Wallace lives in Conyers, Ga. outside of Atlanta, and Singh in Vancouver, Wash. An in-demand spoken-word artist and actor who often performs historically researched pieces for schools and other organizations, Wallace has persisted in his love of Hughes\u2019 powerful plain-spoken poetry and its easy adaptation to performance and music. \u201cHughes\u2019 poetry is populated with people, so there are characters. They’re curious, tragic, wise. His poems are a biography of people and you may see your own biography,\u201d Wallace said in a Zoom call in April. However, the show is not a biography of Hughes though you will surely piece together the poet and playwright’s life as the poems unravel.
Presented by the Siletz Bay Music Festival at the Lincoln City Cultural Center<\/a> on the Oregon coast, the show will add a free performance at Lincoln City\u2019s Taft High School<\/a>, open to all students. Two ticketed shows are 7:30 pm Friday, May 29, and 2 pm Saturday, May 30. Tickets are $30, and $10 for students with ID at SiletzBayMusic.org<\/a>. The rest of the 15-year Siletz Bay Music Festival, which promises a number of eclectic concerts from classical to jazz to hip hop to folk, will take place from Aug. 13-23 in various Oregon coast locations. Hold Fast, <\/em>though not part of the summer program, providesa robust springtime appetizer.
Starting with 40 musical poems of towering Black wordsmith Hughes, who lived from 1901\u20131967 and spearheaded the Harlem Renaissance <\/a>in mid-century America, Wallace figured Daya Singh could compose fitting music for each poem. Singh decided a hand-picked quintet would play his music, and added musicians with whom he frequently works, including bassist Bill Athens<\/a> (3 Leg Torso, Trio Subtonic), drummer Ken Ollis<\/a> (Portland Jazz Composers Ensemble), flutist and alto saxophonist John Savage (Kennebec)<\/a> and cellist Collin Oldham<\/a> (Elysium Quartet, Portland Cello Project). Daya Singh composes on the piano and will play the keys during the performance.
Well Son, I\u2019ll tell you:
Life for me ain\u2019t been no crystal stair.
It\u2019s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor\u2013
Bare;
But all the time
I\u2019se been climbin\u2019 on.<\/i>
As Wallace performs such pieces as “Mother to Son,\u201d \u201cHarlem,\u201d \u201cLet America be America Again,\u201d and the early 1920s \u201cThe Negro Speaks of Rivers,\u201d the quintet will accompany with Daya Singh\u2019s original music. Don’t expect the musicians to drown out or upstage the poet\u2019s words. \u201cSoft is our home. From there we go anywhere,\u201d Daya Singh tells his band members.
Daya Singh said his mission was \u201cto come up with music that matched the emotion of the poem.\u201d His process was to set his thoughts on the piano with computer software and then send the music to Wallace, who mostly heartily approved the matches. One piece, \u201cBlack Clown,\u201d \u201cdidn\u2019t match the dissonance of the poetry,\u201d Daya Singh explained on a Zoom call in April. So he went back to the piano and used the music as an interlude. \u201cThe music didn\u2019t go to waste,\u201d said the Brazilian-born composer, who calls his music \u201ca melting pot of cultures.\u201d 
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What happens to a dream deferred?
Does it dry up like a raisin in the sun?
or fester like a sore \u2013?
And then run?<\/i>
Many of Langston\u2019s verses have dream imagery, said Wallace. \u201cDreams come up a lot in the poetry. Pursuing, deferring, struggling. The poems show touches of all of those elements through humor, tough experiences, struggle.\u201d
Shake your brown feet, honey,
Shake your brown feet, chile,
Shake your brown feet, honey,
Shake \u2019em swift and wil\u2019\u2013
    Get way back, honey,
    Do that low-down step.<\/i>
And though Hughes wasn\u2019t a musician, he was inspired by music and saw it as integral to the Black experience. Much of the rhythm of his poems is based on blues, jazz, and presciently, hip hop and rap. In the 90-minute show, Wallace will sing several of the poems in his baritone-bass.
Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.
(America never was America to me.)<\/i>
Wallace argues that, in these current racially charged times, \u201cHughes\u2019 poetry is more relevant now than even a few years ago, when Black Lives Matter surfaced. It touches on the nerve of humanity. There are external forces that we can\u2019t control but we\u2019re still affected. Hughes continues to dream and address his thoughts through humor and tragedy \u2026 his people are finding a way to deal with the cards that they are dealt.\u201d
I am the fool of the whole world.
Laugh and push me down.
Only in song and laughter
I rise again\u2014a black clown.
Strike up the music.
Let it be gay.
Only in joy
Can a clown have his day.<\/i><\/p>\n

Angela Allen<\/a> writes about the arts, especially opera, jazz, chamber music, and photography. Since 1984, she has contributed regularly to online and print publications, including Oregon ArtsWatch<\/em>, The Columbian<\/em>, The San Diego Union-Tribune<\/em>, Willamette Week<\/em>, The Oregonian<\/em>, among others. She teaches photography and creative writing to Oregon students, and in 2009, served as Fishtrap\u2019s Eastern Oregon Writer-in-Residence. A published poet and photographer, she was elected to the Music Critics Association of North America\u2019s executive board and is a recipient of an NEA-Columbia Journalism grant. She earned an M.A. in journalism from University of Oregon in 1984, and 30 years later received her MFA in Creative Writing\/Poetry from Pacific Lutheran University. She lives in Portland with her scientist husband and often unwieldy garden. Contact Angela Allen through her website<\/a>.
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